In February I gave an interview to Vice UK to help promote a film I had written and financed called The Canyons—I did the press because there was still the idea, the hope, that if myself or the director Paul Schrader talked about the film it would somehow find an audience interested in it and understand what it was: an experimental, guerilla DIY affair that cost $150,000 dollars to shoot ($90,000 out of our own pockets) and that we filmed over twenty days in L.A. during the summer of 2012 starring controversial Millennials Lindsay Lohan and porn star James Deen. The young journalist from Vice UK asked me about the usual things I was preoccupied with in that moment: my admiration of Martin Scorsese’s The Wolf of Wall Street—the best film I saw in 2013 (not great Scorsese, but better than any other American film that year) and we talked about the movie I’m writing for Kanye West, my love of Terrence Malick (though not To The Wonder), a miniseries I was developing about the Manson murders for FOX (but because of another Manson series going into production at NBC the miniseries has now been cancelled), the Bret Easton Ellis Podcast (link), the possibility of a new novel I had begun in January of 2013 and that I lost interest in but hoped to get back to; we talked about my problems with David Foster Wallace, my love of Joan Didion, as well as Empire versus post-Empire (link) and we talked about, of course, The Canyons. But the first question the young journalist asked me wasn’t about the movie—it was about why I was always referring to Millennials as Generation Wuss on my Twitter feed. And I answered her honestly, unprepared for the level of noise my comments caused once the ViceUK piece was posted.
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